(via my vintage book collection (in blog form).: The Fireside Book of Children’s Songs, illustrated by John Alcorn)

(via my vintage book collection (in blog form).: The Fireside Book of Children’s Songs, illustrated by John Alcorn)

(via anywho > AH)

(via anywho > AH)

(via Camilla Engman: A ray of light)

(via Camilla Engman: A ray of light)

lecollecteur:

Untitled, Francesca Woodman

lecollecteur:

Untitled, Francesca Woodman

(Source: dilettanteinfur)

Reblogged from treeinbrooklyn with 137 notes

mandy-rascal:

‘Hall of Human Harps’

Fashions of 1934

mandy-rascal:

‘Hall of Human Harps’

Fashions of 1934

Reblogged from earwigbiscuits with 233 notes

oldhollywood:

From the lost film To the Stars (1906, dir. Georges Méliès) (via)

oldhollywood:

From the lost film To the Stars (1906, dir. Georges Méliès) (via)

Reblogged from oldhollywood with 1,184 notes

cavetocanvas:

Alfred Stieglitz, Georgia O’Keeffe - Hands, 1917
From the Metropolitan Museum of Art:

Georgia O’Keeffe—Hands is one of the images that Stieglitz made during his first portrait session with O’Keeffe, in 1917, when she traveled by train to New York to see her second show of drawings and watercolors at 291. “A few weeks after I returned to Texas, photographs of me came,” she recalled. “In my excitement at such pictures of myself I took them to school and held them up for my class to see. They were surprised and astonished too. Nothing like that had come into our world before.” The notion that an expressive portrait might be made without including the sitter’s face was indeed novel.

cavetocanvas:

Alfred Stieglitz, Georgia O’Keeffe - Hands, 1917

From the Metropolitan Museum of Art:

Georgia O’Keeffe—Hands is one of the images that Stieglitz made during his first portrait session with O’Keeffe, in 1917, when she traveled by train to New York to see her second show of drawings and watercolors at 291. “A few weeks after I returned to Texas, photographs of me came,” she recalled. “In my excitement at such pictures of myself I took them to school and held them up for my class to see. They were surprised and astonished too. Nothing like that had come into our world before.” The notion that an expressive portrait might be made without including the sitter’s face was indeed novel.

Reblogged from florawillsaveme with 540 notes

peachy (by bethfromabove)

peachy (by bethfromabove)

brwnpaperbag:

Sofia Arnold

brwnpaperbag:

Sofia Arnold

Reblogged from brwnpaperbag with 20 notes

brwnpaperbag:

I bought this print by Megan Whitmarsh today from Tiny Showcase. I’ve loved Megan’s work for years and am very excited to own a piece. 

brwnpaperbag:

I bought this print by Megan Whitmarsh today from Tiny Showcase. I’ve loved Megan’s work for years and am very excited to own a piece. 

Reblogged from brwnpaperbag with 8 notes

thevamoose:

Playing around with a few ideas in leather, cotton cord, silk and amethyst…

thevamoose:

Playing around with a few ideas in leather, cotton cord, silk and amethyst…

Reblogged from thevamoose with 44 notes

wehadfacesthen:

Photo by Nina Leen - The local movie theater, boys have a very difficult time finding a place to put their long legs. Des Moines, June 1945
via thereisnoforgetting

wehadfacesthen:

Photo by Nina Leen - The local movie theater, boys have a very difficult time finding a place to put their long legs. Des Moines, June 1945

via thereisnoforgetting

Reblogged from alpinemastiff with 429 notes

mpdrolet:

*Happy Sunday folks
Clemens Fantur

mpdrolet:

*Happy Sunday folks

Clemens Fantur

Reblogged from mpdrolet with 143 notes

mpdrolet:

Lena  Kholkina

mpdrolet:

Lena Kholkina

Reblogged from mpdrolet with 62 notes

darknessiseaseful:

Elina Labourdette
Les dames du Bois de Boulogne, Robert Bresson, 1945

darknessiseaseful:

Elina Labourdette

Les dames du Bois de Boulogne, Robert Bresson, 1945

Reblogged from treeinbrooklyn with 87 notes